Batman: Assault on Arkham (2014) 720p YIFY Movie

Batman: Assault on Arkham (2014)

Batman: Assault on Arkham is a video starring Kevin Conroy, Neal McDonough, and Hynden Walch. Batman works desperately to find a bomb planted by the Joker while Amanda Waller hires her newly formed Suicide Squad to break into Arkham...

IMDB: 7.56 Likes

  • Genre: Animation | Action
  • Quality: 720p
  • Size: 940.17M
  • Resolution: / fps
  • Language: English
  • Run Time: 75
  • IMDB Rating: 7.5/10 
  • MPR: Normal
  • Peers/Seeds: 0 / 2

The Synopsis for Batman: Assault on Arkham (2014) 720p

In Gotham City, the Riddler has secret information on the top secret Task Force X that he threatens to make public, but before Amanda Waller can have him killed, he is captured by Batman. Now with Riddler imprisoned in Arkham Asylum, Amanda Waller reassembles the Suicide Squad of captured supervillains with the mission to infiltrate the forensic mental hospital to retrieve Riddler's information. Led by Deadshot, this black ops team makes their way into the facility, only to face complications from within and without the team with secret agendas and double crosses all around. Meanwhile, Batman has his own concerns with an urgent search for The Joker's deadly bomb that threatens Gotham City. Eventually, all these players converge on Arkham Asylum for a showdown that few are going to escape alive.

The Director and Players for Batman: Assault on Arkham (2014) 720p

[Director]Jay Oliva
[Role:]Kevin Conroy
[Role:]Matthew Gray Gubler
[Role:]Hynden Walch
[Role:]Neal McDonough

The Reviews for Batman: Assault on Arkham (2014) 720p

Assault on Arkham scratches every itch you picked up from Suicide SquadReviewed byostergaardof4Vote: 9/10

Super worth buying it on Amazon video to stream forevermore. It's a Assault absolutely introduces every member of the Suicide Squad, without a bog of exposition no less, then kills half of them. Who cares about that emotional bond you were forming? Not directors Jay Oliva and Ethan Spaulding, not writers Bob Kane and Heath Corson. These fine gentlemen are not sacrificing story and character for anything a producer might quibble over on behalf of 13 yr olds or PC-freaks.

Suicide Squad animated feature that gives very few f***s for the audience's delicate constitutions. You can tell this for a number of reasons. First, it's not really worth rating it at "R" but it certainly doesn't try to stay under the PG13 level of kid-friendly versions of events. Second,

Point in fact: Assault's Joker is happiest when frighteningly objectifying Harley Quinn. When Joker *eye roll* escapes, a suspenseful stalking scene with the tension caliber of Alien or Bladerunner commences. This movie dishes out at least as much pointy reckoning as the Heath Ledger Joker ever did. Which is doubly awesome considering Assault treads that line of fatalism that Zack Snyder has coined as the DCU paradigm, without sacrificing slapstick and caper set-pieces like 3 Stooges-esque bullet dodging or the snappy repartee of Archer.

To that end, note that Harley's incarnation here also takes a leap into the adult story telling realm. The writers have her independent of Joker, doesn't compromise the things she wants, the mission or her own self esteem. Wanna bang Deadshot, analyse Cpt. Boomerang, kill your ex, and end up the most badass of the team? All without knowing or caring about that fact? Hell yes, she does.

For each of their parts, Deadshot and Cpt. are spot on out of the books except for two significant details: 1) the witty banter and one-ups- manship is actually better in this movie, and 2) the viewer doesn't really get a sense of how competent at taking charge of the Suicide Squad Deadshot is. I think the first is a boon, and the second a shame, and between the two of them we come to a net neutral at how their characters enhance the story.

Joining their merry band are Killer Frost – whom I love playing in Injustice, so it's a delight to see her come to life here – King Shark, KGBeast, Black Spider, and Riddler. All well thought out, and given enough backstory and motivation that you feel they're real characters, without globs of weighty backstory.

Lastly, we have the good old 80s version of stout Amanda Waller. She's the authoritarian mystery – so much so that not even Batman knows what she's doing through most of the movie! Oo, how I love to see Batsy squirm in confusion every once in while – keeps him sharp.

Much like David Ayer's live action Suicide Squad (AKA Squad 1. Click here to learn why.), Assault relies on these DCU favorites to contextualize the world. This is totally different from the books where readers either assume that Task Force X operates in a DCU vacuum, or the writers can't afford those fav characters. Neither of these extremes is inherently bad as long as the story doesn't suffer for adhering to it. Neither does. Unfortunately, Squad 1 (see my review here) is a different version of this altogether. While Assault deftly weaves faves into the narrative – Riddler catalyzes the whole plot, Penguin's a contact the Squad has to hit up; Jim Gordon inevitably brings in the cavalry – Squad 1 shoe horns Batman, Joker, and The Flash into the plot as superfluous pot-boilers.

Overall, not only does Arkham Assault totally blow Suicide Squad away in terms of dialogue, plot, pacing, and character development, but it also could take on most heist classics as a genre buster! Think Oceans 11, but with less bromance angst between Frank Sinatra/George Clooney and ANYONE else in the movie. The most important part of the whole thing though, is one very surprising and subjective detail: Everyone has a favorite version of Joker, and I found mine here.

Like all fans of Batman the Animated Series, once you hear Mark Hamill do Joker voice you never wanna sully your ears with anyone else's cadence. But, damn, if Troy Baker doesn't take up the acid-flower mantle with wicked aplomb.

This is how Suicide Squad should have beenReviewed bythegoatandhammerVote: 10/10

This is damn near perfect in every way, all the things that WB got wrong with Suicide Squad (and they have got everything wrong), DC animations got just right.The villains! Oh my God! The villains! The Joker! All hail the voice acting of Troy Baker as the Joker, rivaling only the performance of Mark Hamill in other DC animations.If you are a DC fan, you have to watch this movie, it's everything you wanted Suicide Squad to be, but came out of the theater saying "WTF was that?", this is everything that's right about the concept of Suicide Squad, and nothing of the cringe worthy stuff that we've gotten in the theatrical live action release.This movie is dark, gritty, bloody and mature, a true animated masterpiece!

Villains United.Reviewed byxamtaroVote: 9/10

Villains get the spotlight in BATMAN: ASSAULT ON ARKHAM, a loose prequel set before the critically acclaimed Batman: Arkham Asylum video game. A black ops mission to assassinate the Riddler is foiled by Batman, prompting CIA operative Amanda Waller to assemble "Task Force X", aka The Suicide Squad. Morally ambiguous Vigilante Black Spider, seductive ice queen Killer Frost, savage brute King Shark, Australian scoundrel Captain Boomerang, crazy Harley Quinn and the cynical assassin Deadshot. These sociopathic misfits have to put aside their differences to work together, lest they "lose their heads". Playing out like a good ol fashioned heist film in the vein of THE Italian JOB or OCEAN'S ELEVEN, we see six villains assembled by Amanda Waller and sent on a mission impossible deep into the heart of the dreaded Arkham Asylum to retrieve a thumb drive containing sensitive information, that was in the Riddler's possession. From the electronic heavy rock soundtrack to the Taratino-esque roll call opening credits sequence, you know you are in for a completely different animated movie. The fun begins when we get to see how well these bad guys play off one another in a script that is chock full of dark humour and depth. Although each villain does not get much development, we do get a "keynotes" look into their personalities, their motivations and their minds as the brisk pace of the movie sprints from action scene to action scene. Their roles in the team are familiar archetypes for classic villain teams: the alpha male leader (Deadshot), the butt monkey backstabber (Captain Boomerang), the dumb muscle (King Shark), the seductress (Killer Frost), the mysterious odd one out (Black Spider), and the psycho (Harley Quinn). Yet in this familiarity comes the opportunity for the characters to truly shine thanks to some magnificent chemistry and voice acting. Alas, for a title named "Batman: Assault on Arkham" the titular Batman plays a supporting, almost cameo, role. But when he does appear, he exhibits a powerful on screen presence. Those barely visible eyes staring intensely from within the cowl, the new look of the costume which blends the dark blue streamlined design of Justice League Unlimited with the armoured detailing of New 52, not to mention the return of the classic Batman voice Kevin Conroy. But I digress. Batman is not the focus here, the Suicide Squad is. And they get one hell of a 75 minute showcase. Throughout the movie, you get a sense that some of the team members have their own agenda and secrets. What looks like a crazy outburst turns out to be a well calculated distraction for example. This movie keeps you guessing and keeps the tension up from start to finish. Like previous DC Animated movies, ASSAULT ON ARKHAM does not shy away from bloody violence or semi-sexual depictions. The near nudity, the blood letting, it is insane, threading close to an "R" rating. Action is smooth, fluid, with a very high budget quality which combines detailed artwork with dynamic animation. Visually, Moi Animation studios have outdone themselves once again delivering top notch animation that surpasses many of their Japanese anime counterparts. For quick comparison, take a look at the animation on SON OF BATMAN done by Japanese anime studio "TheAnswerStudio" and then compare it to the visuals in BATMAN ASSAULT ON ARKHAM. No contest. BATMAN ASSAULT ON ARKHAM was a risky experiment, but an experiment that pays off. Edgy but fun, dark but not brooding, intense but not shallow. There seem to be things you can do on screen and a dark sense of fun you get with villains instead of heroes. Here I am hoping that DC would consider releasing a villain centric animated movie for every two hero centric movies per year. The DC rogues gallery needs to be tapped and tapped well. This is a good star

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