Denis Villeneuve, you magnificent world wonder, you did it again!
I have seen this film three times in the cinema, in 3D, 2D and 4DX.
And one of the things i have noticed with this film, is that it's not the time in the cinema that takes up my time, It's the hours upon hours in between spent thinking about the film, that is the real time consumer. This film left such a deep and profound impact, which i cannot escape. And I've gone back to the cinema twice to be "tortured", but it's worth it.
It's a dark, mysterious, grim, hopeless, sad and lonely film, set in a possible near future where the human race is hanging by their fingertips on the edge of doom. So it's quite depressing. But it's so brilliantly put together, the closest master of cinema i think of that has done something similar, is Stanley Kubrick.
Many Stanley Kubrick films were also "hated" by many when they first released. "2001: A Space Odyssey" for example, which had gorgeous visuals, but felt flat and hollow for many, even professional reviewers back then. But what Kubrick did best with his films, was to create afterthought. People left the cinema feeling confused and even depressed, but the movies planted a seed which then grew for years. The original Blade Runner also accomplished this. BR2049 is no exception, this movie will without doubt live on to be interpreted, analyzed and discussed for decades to come. The story continues from the original, but stands completely on it's own, it tells a new story that directly interlink with the original, but without trying to be a copy, it's a natural continuation in the same universe. You don't have to see the original Blade Runner first, though i do recommend it, see the final cut.
BR2049 has some of the most gorgeous visuals i have ever seen, and the cinematography is out of this world, there is literally no excuse not to give Roger Deakins the Oscar this time. After 13 nominations he has now knocked the ball out of the park and is this year in his own league entirely. It's confusing to look at something so gorgeous, whilst painting a picture of such a sad and lost world. It sort of collides with your senses, your eyes say it's beautiful, your mind say it's depressing. Which senses are you going to believe? What does it mean? At least don't confuse feeling depressed as a sign that this movie is bad, it's nothing wrong feeling depressed, take it in, embrace it. Then you will know how it feels to be a replicant that's trapped in a caged mind.
BR2049's story happens 30 years after the original, and there is three short films on Youtube i recommend you watch. These short films describes some of what happened in between 2019 and 2049. Watching them makes it slightly easier to understand some of the things going on. But the underlying theme is the same as it was in the original. What does it mean to be human? What does it mean to have memories? What is a soul? And so on.
The world has gone darker in 2049, climate is spinning out of control, almost all animals and plants have died. People are desperate and lost, law enforcement can barely keep anything together, and only a small spark can set of total disaster, which is looming just around every corner. Niander Wallace has taken over Tyrell Corp and has by the time 2049 takes place designed millions of obedient replicants that does exactly what he tells them to do. But there is one thing Wallace has not been able to perfect, and that's what the main story is all about, and Wallace will do anything in his power to get his hands on the "technology", which will result in him becoming many hundred times richer and more powerful, the sole ruler of the entire universe. He is so far gone in his mind by 2049 he actually believes he is god himself, and he calls his replicants angels.
And of course he also uses replicants to do his "dirty work". In 2049 we meet his right hand "girl" Luv (Brilliantly played by Sylvia Hoeks, if there is one actor in this movie that steal the show, it's her). Luv is a "handygirl" so to speak, that perform whatever task she is set to do, with no remorse. Or is that entirely true? I can't spoil anything, but look closely at Luv's character arc. All the other actors also do an outstanding job in this film, no bad performances, but i can't talk about all of them due to the word limit in these reviews.
Be prepared going to see this film, it's depressing and heavy on your mind, and it demands your full attention. It's one of those rare films who dares to challenge the audience, and by doing so, taking a huge risk, and a 155 million dollar risk at that. The film isn't perfect, but it's close, and it shows the tremendous skills of Denis Villeneuve. And those few mistakes this movie have, are probably just happy little accidents as Rob Ross would have put it. This film is very much like a painting, every stroke of the brush matters, and every little detail is carefully crafted, it takes monumental skills to pull it of.
I loved this film, it's the best film I've seen all year, It is a must see, a monumental triumph of a film that's just as good (possibly even better) as the original and one of the best sequels of all time!
9.7/10 - Masterpiece
And BTW Villeneuve's next movie might be Dune, imagine if he brings Deakins and the rest of this team to make that movie. Yeah, I'm going to leave you with that thought. This is basically porn.
Blade Runner 2049 (2017) 3D YIFY Movie
Blade Runner 2049 (2017) 3D
A young blade runner's discovery of a long-buried secret leads him to track down former blade runner Rick Deckard, who's been missing for thirty years.
IMDB: 8.222 Likes
The Synopsis for Blade Runner 2049 (2017) 3D
Thirty years after the events of the first film, a new blade runner, LAPD Officer K (Ryan Gosling), unearths a long-buried secret that has the potential to plunge what's left of society into chaos. K's discovery leads him on a quest to find Rick Deckard (Harrison Ford), a former LAPD blade runner who has been missing for 30 years.
The Director and Players for Blade Runner 2049 (2017) 3D
The Reviews for Blade Runner 2049 (2017) 3D
One of the best sequels of all timeReviewed byFabledGentlemanVote: 7/10
Denis Villeneuve, you magnificent world wonder, you did it again!
I've only seen the original Blade Runner once and it was a long time ago. I liked it but I just haven't got around to revisiting it. I mention this because even though I'm not a die-hard fan of Blade Runner, I still found the plot of 2049 engrossing. It's a well put together mystery, I found that they constantly took the plot in unexpected directions and other than the trailer spoiling the return of Deckard, I was always excited about what was going to happen next. The movie pulls an excellent bait and switch at the end that really surprised me. They made the right decision to not repeat the formula of the first one and take the story to a new place. They also create some compelling subplots which is something that few movies get right.
The biggest star of this movie is the cinematography and the excellent work of Roger Deakins. The original was noteworthy with the special environment that Ridley Scott and his creative team brought to the screen. That was continued here if not improved upon. The look of L.A. in 2049 they decided to go with isn't completely distinct but it was a little more understated (I'd compare it to the 2017 Ghost in the Shell but less fantastical). My favourite scene might have been a shootout in a defunct club where the lighting and the background show are turning on and off. I don't hesitate to praise when a movie looks good but this is an exemplary example of using visuals and atmosphere to help build on a strong story.
Blade Runner 2049 returns very few of the characters from the original film but they manage to breathe life into this movie through the new ones they created. Officer K isn't the most lively protagonist but he gets an eye-opening character arc that kept me involved. Deckard doesn't appear till later in the movie but he remains interesting and what they decide to do with him makes his appearance worthwhile. I also really liked some of the smaller supporting characters. Sapper really helps kick off the movie, what Joi represents is extremely emotional and Mariette is so mysterious that her involvement brings up more and more questions. Add in that Niander Wallace and Luv make for pretty menacing villains and you have a pretty well-rounded and fascinating script.
I don't think that the actors/actresses will be the focal point of the awards attention that this movie will get but that doesn't mean there aren't exemplary performances. Gosling is good as K, he's deliberately robotic and he accomplishes a lot through his subtlety. Harrison Ford isn't in the movie as much as I wanted him to be (he's still one of my all-time favourite actors) but he holds up his end. He works with Gosling well and they have a solid rapport. Surprisingly, I really liked Sylvia Hoeks. She stole a lot of her scenes and I thought she was great even acting against a stacked cast. Dave Bautista showed he has a lot more range than people give him credit for. Jared Leto is in a very Jared Leto role (deliberately weird and hard to understand) but he does it well and although he might be a little creepy, the guy is still a great actor. I also want to credit Ana de Armas, she was distinctly warm and she showed a lot more emotion than I had seen from her previously.
There were points in this movie I could have rated this a 9/10 but some small things that I had to dock the movie for. Even with a compelling story, the movie has such a long run time that it couldn't help but drag. There are certain scenes where the movie wants you to really drink in the environment but they could have edited it a little tighter. They also couldn't help but lose me at points through how much artistic flair the utilize. Villenueve is an authority in this area and while I appreciate an artistic approach to this science fiction tale, for me they overdid it a little.
I was surprised how much I ended up liking Blade Runner 2049. I think if you're a big fan of the original, you'll love this to bits. This is successful in bringing in the uninitiated but I think fans will enjoy this even more. I haven't been on board for all of Villenueve's films but this is a good combination of his artistic style with enough of a commercial element for the masses. I'd give this somewhere between an 8-9 but with the extremely long run time, I'll give this an 8/10.
Blade Runner (1982) was a happy (yet gloomy) accident, involving: a) a young and ambitious director who fought ferociously with studio executives in order for them to let him fulfill his vision; b) a rising blockbuster star who wanted to prove he can also act in a serious movie; c) a crazy Dutch actor who decided to change the script and improvise one of the most memorable monologues in film history; d) a bunch of talented artists who wanted to make a movie that would look and sound different from anything else we had seen before. And most of all, e) a post-Vietnam turbulent era when Hollywood rebels like Coppola, Scorsese and Cimino were audaciously attempting to reinvent the language of cinema, telling stories that mattered and not caring at all about target audiences and marketing trends. As a result, Blade Runner was a box office failure that slowly became a legend, breaking stereotypes like "good guy kills bad guy at the end" and dealing with existential agony on an almost metaphysical level; always within the context of a gritty corporate dystopia in the near future.
Blade Runner 2049 is none of these things. On the contrary, it's the flawed triumph of a next generation of studio executives, who control the creative process by paying millions to the industry's best of the best, providing they will make something that will take advantage of a successful brand name in order to bring profits to shareholders. If there is one word to describe this movie, it's "replicant". Not the kind of replicant who realizes that "all those moments will be lost in time, like tears in rain" as he dies, but a sleek, expensive and obedient skin-job that will try to entertain you and if it succeeds will return as a sequel that will eventually become yet another franchise. I spent 160 minutes of my life watching a pleasant and perfectly constructed piece of nothing, and I didn't care for a moment about any of the characters or a storyline that was designed without the intention to question and redefine a single thing. All its moments have already been lost in my memory, while the original Blade Runner remains vivid in my mind, as if I only saw it yesterday.