Preservation (2014) 1080p YIFY Movie

Preservation (2014) 1080p

Preservation is a movie starring Wrenn Schmidt, Pablo Schreiber, and Aaron Staton. An anesthesiologist must awaken her animal instincts when she, her husband and her brother-in-law become the quarry of unseen hunters who want to...

IMDB: 4.73 Likes

  • Genre: Horror | Thriller
  • Quality: 1080p
  • Size: 1.68G
  • Resolution: / fps
  • Language:
  • Run Time: 90
  • IMDB Rating: 4.7/10 
  • MPR: Normal
  • Peers/Seeds: 0 / 0

The Synopsis for Preservation (2014) 1080p

Three family members head deep into the woods for a hunting trip that doubles as a distraction from their troubles at home. When all of their gear is stolen, they turn on each other, but soon realize there are much more treacherous forces at work.


The Director and Players for Preservation (2014) 1080p

[Role:]Cody Saintgnue
[Role:]Aaron Staton
[Role:]Pablo Schreiber
[Role:]Wrenn Schmidt
[Role:Director]Christopher Denham


The Reviews for Preservation (2014) 1080p


Way better than people make it out to beReviewed byhannah-mae91Vote: 7/10

Really I would rate this movie at about a 5.5 or 6 but I felt compelled to level out the strangely low ratings for this flick.

This is a solid movie. Good acting, well paced, artfully shot. Was it all that original? No, not really. It deserves to be compared to films like "Eden Lake" and "The King of the Mountain" as the plot is startlingly similar. Sure, both of those are far better - more disturbing (to say the least) and ahead of their time in terms of plot - but I also can't complain about a single thing in this movie.

So if you expect to be blown out of the water, this isn't your jam. If you require horror to be gory or over the top, look elsewhere. But if you're avoiding a research paper (or three) and need a good horror movie to break up the dreck which so often populates this wonderful genre of ours then this isn't time wasted.

I'm confusedReviewed byliquidrawhideVote: 5/10

Preservation opens with a series of shots trailing an old 4x4 making its way from suburbia into the wilderness. Eventually we move inside the cab of the truck to eavesdrop on the conversation of the driver and his companion in the passenger seat, who comes off as a sociopath giggling at an online video of a cat being flushed down the toilet, and recalling how he knocked over an oil can as a kid and splashed the contents all over his father, but thankfully the driver - his big brother - protected him and always had his best interests at heart. So let's stop right there and see if you're with me up to this point, four or five minutes into the movie. Knowing only a few details about the plot coming into this, we can safely assume these are going to be the killers who stalk the nice people, right? Especially when they take guns out of the car and reminisce about shooting small animals when they were younger, correct? In fact, no! These are your central characters/protagonists, ladies and gentlemen, which takes what would have been a fairly pedestrian thriller down a few notches to fail territory, in my view. Preservation features such largely despicable characters that you in no way root for anyone in the whole affair, be it these two aforementioned brothers, the wife of one of them whose attraction to such a loser you can simply not fathom, nor the eventual real antagonists who make their presence felt with an incomprehensible combination of stealthy brilliance and clumsy stupidity. There is a critic review floating around here somewhere that compares Preservation to Adam Wingard's You're Next, suggesting each one may have its merits but that Preservation is ultimately the superior, more intense film. Let's put that notion to rest right now: You're Next might not be everyone's cup of tea, but it is miles more accomplished than Preservation, a derivative, illogical, and ultimately lazy effort whose script is about as subtle as a swinging butt of a rifle to your head.

"You killed my dog. Now I kill you."Reviewed byGulfam Ahmed ([email protected])Vote: 2/10

After the frustrating exercise in boredom that was Home Movie (2008), director Christopher Denham hasn't improved with this sophomore effort, as he heads out into the wilderness for yet another survival horror movie that offers no originality and little reason to care! Wit (Wrenn Schmidt) and Mike (Aaron Staton) are joined by Mike's brother, Sean (Pablo Schreiber), on a camping trip. Yet tensions are high as everyone is dealing with their personal baggage - Mike is a stressed out workaholic, Wit is pregnant and keeping it a secret, whilst Sean (having recently been discharged from the military) may be suffering from PTSD. The trio awaken the next morning to find their supplies missing, an X marked on their foreheads and Mike blaming Sean as the culprit - so far, so good, but as the plot progresses, it only falls deeper and deeper into mediocrity. Lack of clear characterization has a big hand to play here. In any movie of this ilk, there has to be a genuine reason for the audience to fear for the safety of these characters, for example, in the criminally underrated French horror film, Inside (2007), a heavily pregnant woman is stalked and harassed by an unknown assailant. We can't help but root for this woman, who is barely able to walk properly, let alone defend herself. Compare that with Preservation's near-sociopathic leads; hardly people you want to emotionally invest in. Not to mention the fact that Sean (and to an extent Mike) is praised as being a ninja- like expert on the great outdoors, only for that little nugget of information to fall completely flat later on. Most of the fault here lies at Denham's feet (who also wrote the film), why bother providing characters with a certain backstory only for it to go flying out the window? Yet, it's the fact that the movie plays like a poor imitation of Eden Lake (2007), that's really grating. Most of the scenes feel cherry- picked from the British horror, minus any of the tension. Therefore Wit (albeit a decent character) is no match for Kelly Reilly's Jenny, whose transformation into a survivor was a more harrowing and exciting experience. On top of all this, Denham's constant droning commentary (which is none too subtle) on the prevalence of violence and its links with media, makes the proceedings all the more worse. He spares no expense to get this rather shallow (and easy-target) message across, even to the point of sacrificing a decent performance by Wrenn Schmidt and reducing his film to nothing more than a by-the-numbers thriller filled with all the usual cliches. Preservation might provide some thrills for those new to this particular sub-genre, but seasoned veterans will view it as the pedestrian amalgamation of far superior films that it is.

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