The Three Caballeros (1944) 1080p YIFY Movie

The Three Caballeros (1944) 1080p

The Three Caballeros is a movie starring Aurora Miranda, Carmen Molina, and Dora Luz. Donald receives his birthday gifts, which include traditional gifts and information about Brazil (hosted by Zé Carioca) and Mexico (by Panchito, a...

IMDB: 6.52 Likes

  • Genre: Animation | Comedy
  • Quality: 1080p
  • Size: 1.37G
  • Resolution: / fps
  • Language: English
  • Run Time: 71
  • IMDB Rating: 6.5/10 
  • MPR: Normal
  • Peers/Seeds: 1 / 0

The Synopsis for The Three Caballeros (1944) 1080p

A large box arrives for Donald on his birthday, three gifts inside. He unwraps one at a time, and each takes him on an adventure. The first is a movie projector with a film about the birds of South America; Donald watches two cartoons, one tells of a penguin who longs to live on a tropical isle and the other about a gaucho boy who hunts the wild ostrich. The second gift is a pop-up book about Brazil. Inside is Jose Carioca, who takes Donald to Brazil's Bahia for a mix of animation and live action: the two cartoon birds sing and dance with natives. The third gift is a pi?ata, accompanied by Panchito. A ride on a magic serape takes the three amigos singing and dancing across Mexico. ?Olé!


The Director and Players for The Three Caballeros (1944) 1080p

[Director]Norman Ferguson
[Role:]Dora Luz
[Role:]Carmen Molina
[Role:]Aurora Miranda
[Role:]Sterling Holloway


The Reviews for The Three Caballeros (1944) 1080p


Segmented cartoons that are lesser fun.Reviewed byOllieSuave-007Vote: 7/10

This is Walt Disney's seven full-length animated feature film, starring Donald Duck celebrating his birthday with his two Latin American friends, José Carioca, the cigar-smoking parrot, and Panchito Pistoles, the pistol-packing rooster. The film is storied in segments, each one starting when Donald unwraps each of his presents. The segmented stories include Donald's trips to Brazil and Mexico, filmed in a combination of animation and live action.

It is fun seeing Donald in a full-length animated movie; his feisty characteristics and bad luck-prone personality always generate a lot of humor and non-stop laughs. His adventures throughout Latin America was potentially a treat to watch and the featured music (courtesy of singers Aurora Miranda, Dora Luz and Carmen Molina) was somewhat catchy and enjoyable. However, I thought the overall movie was a little on the dull side and not very magically captivating like you would expect in many of Disney's feature films.

While Fantasia was also filmed in segments (like this movie) and consists of music and animation only and no dialog, that movie will make you at least appreciate classical music and beautiful animation and, while no dialog, each segment is filmed in a way that represents charm and personality where you could actually follow its purpose. This film really has no plot, just a mash of animation and live action in a huge dance fest and party in Latin America. It's like a never-ending parade with nothing too intriguing to grab your attention. In addition, some of the animation looked washed-out against the live action.

Overall, it's nice to see Donald Duck in a motion picture, but is not one of the better Disney films.

Grade D+

So, there I was, walking down Disneyland's Main Street along with some friends.Reviewed byfjhuerta-2Vote: 8/10

It was a cold January Saturday evening. The park was beautifully lit. People were cheery. We could see the Matterhorn on our right hand side. Magical is the best description I could find.

Suddenly, I started singing...

"Somos los tres carros, los Tres Caballeros, y nadie es igual a nosotros..."

What do I know. My friends all knew the words. 4 guys, ranging from 27 to 31 years old, began forming a chrous line and singing off the top of our lungs...

I don't know how this happened. This is not, by any stretch of imagination, a popular or wildly succesful film. I guess it just touched us, the way Donald Duck had a mexican friend (Panchito), or the wild "Pi?ata" scene, or the strong latin flavour of the film.

Memories notwithstanding, we kept on singing... and singing... and singing.

People around us seemed to enjoy the show, too.

"Valientes brillamos, como brilla un peso

-Quien dice?!?

NOSOTROS, LOS TRES CABALLEROS!"

beautiful animation, silly plot, questionable themes; there have been better Disney films...Reviewed byoopspowsurpriseVote: 7/10

In a technologically advanced cartoon with stunning visuals and beautiful groundbreaking color and animation, Disney took on role as an ambassador between the citizens of the United States and their strange, dark-skinned, maybe primitive but recently allied next-door-neighbor, Latin America. The year was 1945, and the rage was exoto-tourism.

The idea was to introduce the United States to the color and excitement of Central and South America. To our main character Donald, the good old-fashioned patriotic American Duck, the worlds shown to him by his Latino bird buddies are far from familiar. Foreign music, seemingly tribal dancing, beautiful women and exotic landscapes overwhelm Donald, and he becomes infatuated. This unknown world holds the same appeal and excitement to Donald and it probably did to countless European explorers. In fact, the scenes depicting the bizarre customs, cultures and landscapes in the movie hold the same kind of colonizing curiosity of earlier times before and during Western exploration. It is human (and maybe even Anatidaean) instinct to be curious about the unknown.

Unfortunately, it is also human instinct to make generalities. We find here a very large contradiction, perhaps even a paradox. While the cultures of Donald's friends, the Brazilian and the Mexican, are about as similar as a parrot is to a rooster, the film portrays them as almost identical. In Brazil we find a beautiful town full of beautiful people with dark hair and darker eyes, singing dancing and having quite a time. In Mexico, it's about the same, but maybe with more of a vaquero-esquire vibe. It seems The Three Caballeros de-racializes Latin America and disregards Brazil's African roots as well as Mexico's numerous indigenous roots, kneading and forming them into one homogeneous brown-skinned singing and dancing culture.

So now we know they're friendly. It's okay, we can go for a trip to Acapulco and sunbathe with some beautifully bronzed female Mexican centuplets. We'll drink, we'll dance, we'll embrace and kiss and be merry, however not ever with another male. The film quickly shows that while Latin American men can have a gay time, they certainly aren't gay gay, The rooster (or was it the parrot?) adamantly make this clear by rejecting Donald's kiss. But don't worry; Donald thought he was a girl. Americans sure as hell aren't gay, either.

Well I feel guilty now for bringing all of this up. I'm sure Disney had the best intentions in introducing the U.S. to the neighbors below. A cartoon-documentary marking the full history of every diverse Latin American country using cell animation in 1945 would take longer to create than the pyramids did. And who knows if it would have held an audience's attention? The point is that despite these intolerant tendencies in The Three Caballeros, whether intentional or due to naivety, the brief exploration of the Latin American unknown in this visually stunning film may have been a pretty decent introduction for a 1945 United States audience.

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